At the time when Człowiek na torze [Man on the Track] was being made, the erosion of orthodox aesthetic canons began with the social and observational layers. This is exemplified by two works characteristic of this period: Braun's Lewanty [The Levant] and Ścibora-Rylski's Sprawa Szymka Bielasa [The Case of Szymek Bielas] (unproduced screenplay). This new trend is dominated by images of the everyday living conditions of workers, often bitter and gray, emphasizing the hardship of their daily existence. Adopting a documentary point of view, the authors introduce substantial fragments of unvarnished reality into literature.

Customs officer Andrzej Lechicki is arrested on charges of smuggling antiques. The defense of the accused is undertaken by attorney Sokor.

A few hours before the official visit of the communist party representative, the management of the visited factory learns about it. Everything must be prepared to show the guest how well the place is being managed.

A series of misfortunes plagues a journalist and his new friend.

During the USSR's rule over Poland, highlander Józef Placek and his family have to convince the government that his late mother is, in fact, alive. If successful, they will be able to pocket the gifts that have been issued to her for reaching the ripe old age of 100, thus inspiring his neighbor's, Kadela's, jealousy.

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